Ani DiFranco

Ani DiFranco (Angela Maria Difranco) Born on September 23, 1970. She is a singer, guitarist, and songwriter. She is known as a prolific artist (having released seventeen albums in as many years) and is seen by many as a women's rights and feminist icon.

DiFranco was born in Buffalo, New York to an American Jewish mother and an Italian-American father, both folk music lovers. She started playing Beatles covers at local bars and busking with her guitar teacher, Michael Meldrum, at the age of nine.

In 1989, at the age of eighteen, DiFranco started her own record company, "Righteous Records" (renamed Righteous Babe Records in 1994), with just $50. Prior to the renaming of Righteous Records to Righteous Babe Records, DiFranco worked with manager Dale Anderson, a writer for the Buffalo News, who himself started another record label called Hot Wings Records when the two parted ways. Hot Wings released the work of Buffalo area female musical performers working within a similar style to DiFranco. Early Releases of her CDs produced prior to 1994 are labeled with the original Righteous Records label. Ani DiFranco was issued on the label in the winter of 1990. Later on she relocated to New York City, where she took poetry classes at the New School and toured vigorously.

DiFranco has identified as bisexual for much of her career and in 1998, she married sound engineer Andrew Gilchrist in a Unitarian service in Canada, overseen by Unitarian minister Utah Phillips. Numerous media sources reported that her fans felt betrayed by her union with a man. DiFranco and Gilchrist divorced five years later but remain friends.

In 1998, DiFranco's drummer, Andy Stochansky, left the band to pursue a solo career as a singer-songwriter. Their rapport during live shows is showcased on the 1996 album Living In Clip.

DiFranco's father died early in the summer of 2005; however, she continued her summer tour as a tribute to him.

On July 22, 2005, DiFranco developed tendinitis and subsequently took a hiatus from touring. DiFranco had toured almost continuously in the preceding fifteen years, taking brief breaks to record studio albums. Her 2005 tour concluded with an appearance at the FloydFest World Music and Genre Crossover festival in Floyd, Virginia. DiFranco returned to touring in late April 2006, including a performance at the New Orleans Jazz & Heritage Festival on April 28.

DiFranco gave birth to a 7-pound, 8-ounce daughter, Petah Lucia, at her Buffalo home early Saturday morning, January 20, 2007. The child's father is DiFranco's boyfriend Mike Napolitano, the co-producer of DiFranco's 2006 release Reprieve.

On July 21, 2006, DiFranco received the "Woman of Courage Award" at the National Organization for Women (NOW) Conference and Young Feminist Summit in Albany, NY. Past winners have included singer and actress Barbra Streisand and Sen. Barbara Boxer, D-Calif. DiFranco is the first musician to receive the award, given each year to a woman who has set herself apart by her contributions to the feminist movement.

DiFranco has been toasted by the Buffalo News as the "Buffalo's leading lady of rock music." The News further said: "Through the Righteous Babe Foundation, DiFranco has backed various grassroots cultural and political organizations, supporting causes ranging from abortion rights to gay visibility."

Since 2003, DiFranco has been nominated four consecutive times for Best Recording Package at the Grammy Awards, one of which she won, in 2004, for Educated Guess.

DiFranco's guitar playing is often characterized by a signature staccato style, rapid fingerpicking and use of a plethora of alternate tunings. She delivers many of her lines in a speaking style notable for its rhythmic variation. Her lyrics, which often include alliteration, metaphor, word play and a more or less gentle irony, have also received praise for their sophistication. The song "Talkin' Mrs. DiFranco Blues," by Dan Bern, strings together some of the most memorable lines from DiFranco's early career for comic effects.

Although DiFranco's music has been classified as both folk rock and alternative rock, she has reached across genres since her earliest albums. DiFranco has collaborated with a wide range of artists including pop musician Prince, folk musician Utah Phillips, funk and soul jazz musician Maceo Parker and rapper Corey Parker. She has used a variety of instruments and styles: brass instrumentation was prevalent in 1998's Little Plastic Castle, a simple walking bass in her 1997 cover of Hal David and Burt Bacharach's Wishin' and Hopin', strings on the 1997 live album Living in Clip and 2004's Knuckle Down, and electronics and synths in 1999's To the Teeth and DiFranco's latest studio recording, Reprieve.

DiFranco herself noted that "folk music is not an acoustic guitar--that's not where the heart of it is. I use the word 'folk' in reference to punk music and rap music. It's an attitude, it's an awareness of one's heritage, and it's a community. It's subcorporate music that gives voice to different communities and their struggle against authority."

Although much of DiFranco's material is autobiographical, it is often also strongly political. Many of her songs are concerned with contemporary social issues such as racism, sexism, sexual abuse, homophobia, reproductive rights, poverty, and war. The combination of personal and political is partially responsible for DiFranco's early popularity among politically active college students, some of whom set up fan pages on the web to document DiFranco's career as early as 1994. Because DiFranco's rapid rise in popularity in the mid-1990s was fueled mostly by personal contact and word of mouth rather than mainstream press, fans often expressed a feeling of community with each other.

DiFranco has expressed political views outside of her music. During the 2000 U.S. presidential election, she encouraged voting for Ralph Nader in non-battleground states. She supported Dennis Kucinich in the 2004 Democratic primaries.

Ownership of Righteous Babe Records allows DiFranco a great deal of artistic freedom. For example, on her 2004 album Educated Guess, DiFranco played all of the instruments, provided all of the vocals, and recorded the album by herself at her home on an analog 8-track reel to reel. She was also involved in much of the artwork and design for the packaging. The only other person involved in the record's musical production was Greg Calbi, who mastered it.

References to her independence from major labels appear occasionally in Difranco's songs, including "The Million You Never Made" (Not A Pretty Girl), which discusses the act of turning down a lucrative contract, "The Next Big Thing" (Not So Soft), which describes an imagined meeting with a label headhunter who evaluates the singer based on her looks, and "Napoleon" (Dilate), which sympathizes sarcastically with an unnamed friend who did sign with a label. A longstanding rumor, apparently begun by Spin Magazine in 1997, suggests that the friend addressed in "Napoleon" is the musician Suzanne Vega; both DiFranco and Vega have denied this.

DiFranco has occasionally joined with Prince in discussing publicly the problems associated with major record companies. DiFranco is openly proud of her label, which employs a number of people in her hometown of Buffalo. In a 1997 open letter to Ms. magazine she expressed displeasure that what she considers a way to ensure her own artistic freedom was seen by others solely in terms of its financial success.

32 flavors


squint your eyes and look closer
I'm not between you and your ambition
I am a poster girl with no poster
I am thirty-two flavors and then some
and I'm beyond your peripheral vision
so you might want to turn your head
cause someday you're going to get hungry
and eat most of the words you just said

both my parents taught me about good will
and I have done well by their names
just the kindness I've lavished on strangers
is more than I can explain
still there's many who've turned out their porch lights
just so I would think they were not home
and hid in the dark of their windows
til I'd passed and left them alone

and god help you if you are an ugly girl
course too pretty is also your doom
cause everyone harbors a secret hatred
for the prettiest girl in the room
and god help you if you are a pheonix
and you dare to rise up from the ash
a thousand eyes will smolder with jealousy
while you are just flying back

I'm not trying to give my life meaning
by demeaning you
and I would like to state for the record
I did everything that I could do
I'm not saying that I'm a saint
I just don't want to live that way
no, I will never be a saint
but I will always say

squint your eyes and look closer
I'm not between you and your ambition
I am a poster girl with no poster
I am thirty-two flavors and then some
And I'm beyond your peripheral vision
So you might want to turn your head
Cause someday you might find you're starving
and eating all of the words you said

Swim


you keep telling me I'm beautiful
but I feel a little less so each time
your love is so colorful
it flashes like a neon sign
but I finally drove out where
the sky is dark enuf to see stars
and I found I missed no one
just listening to the swishing of distant cars

I hope I never see
the ocean again
pushing and pulling at me
as I go deeper and deeper in
til I'm so far from my shore
so far from what I came here for
I let you surround me
I let you drown me
out with your din
and then I learned how to swim

I was floating above myself
watching her do just what you wanted
poor little friendly ghost
wondering why her whole house feels haunted
I told myself I was strong enuf
that I had plenty of blood to give
and each elbow cradled a needle
but listless and faint ain't no way to live

so I hope I never see
the ocean again
pushing and pulling at me
as I go deeper and deeper in
til I'm so far from my shore
so far from what I came here for
I let you surround me
I let you drown me
out with your din
and then I learned how to swim

you keep telling me I'm beautiful
but I feel a little less so each time
your love is so colorful
it flashes like a neon sign
but I finally drove out where
the sky is dark enuf to see stars
and I found I missed no one
just listening to the swishing of distant cars

Studying Stones


I am out here studying stones
Trying to learn to be less alive
Using all of my will
To keep very still
Still even on the inside
I've cut all of the pertinent wires
So my eyes can't make that connection
I am holding my breath
I am feigning my death
When I'm looking in your direction

'Course numb is an old hat
Old as my oldest memories
See that one's my mother
And that one's my father
And that one in the hat, that's me
It's a skill I'd hoped to abandon
When I got out on the open road
But any more pent up emotion
And I think I'm gonna explode

There's never been an endeavor so strange
As trying to slow the blood in my veins
To keep my face blank
As a stone that just sank
Until not a ripple remains
I am high above the tree line
Sitting cross legged on the ground
When all of the forbidden fruit has fallen and rotted
That's when I'm gonna come down

'Course numb is an old hat
Old as my oldest memories
See that one's my mother
And that one's my father
And that one in the hat, that's me
It's a skill I'd hoped to abandon
When I got out on the open road
But any more pent up emotion
And I think I'm gonna explode

Pick Yer Nose


How come I can pick my ears
but not my nose
who made up that rule anyway
how can you say that's the way it is
that's just the way it goes
why don't you decide for yourself
what you can do
and what you can say
how come I can pick my friends
but not my enemies
what is it about me that offends
what is it about me
'cause you know I'm only five foot two
and I'm giggly wiggly
tell me again, what did I do
why are you scared of me
I fight with love
and I laugh with rage
you've gotta live light enough
to see the humour
and long enough to see some change
I think shy is boring
I think depressed is too
I think pretty is nice
but I'd rather see something new
all these plastic people
got their plastic surgery
but we got a big big beautiful
we got it for free
who you gonna be
if you can't be yourself
you can't get it from t.v.
you can't force it on
anybody else
you know they come to clear cut
they come to strip mine
they come for some of my big butt
my big brain
or just a little time
they wanna take me out to dinner
think I'm a bitch if I don't go
seems like the people who actually like me
won't allow me to say no
your idea of a conversation
is the third degree
but I don't really know you
and I don't really want to talk about me
'cause I'm not going to pretend
that I don't pick my nose
that's just the way it is, my friends
that's just the way it goes
this is who I am
what I do
and what I say
if you like it, let it be
if you don't, please do the same
I fight with love
I laugh with rage
you gotta live light enough to see the humour
and long enough to see some change

shy




the heat is so great
it plays tricks with the eye
it turns the road to water
and then from water to sky
and there's a crack in the concrete floor
and it starts at the sink
there's a bathroom in a gas station
and i've locked myself in it to think

and back in the city
the sun bakes the trash on the curb
the men are pissing in doorways
and the rats run in herds
i've got a dream of your face
that scares me awake
i put too much on my table
and now i got too much a stake

and i might let you off easy
yeah i might lead you on
i might wait for you to look for me
and then i might be gone
where i come from and where i'm going
and i'm lost in between
i might go up to that phone booth
and leave a veiled invitation on you machine

and you'll stop me, won't you
if you've heard this one before
the one where i surprise you
by showing up at your front door
saying 'let's not ask what's next,
or how, or why'
i am leaving in the morning
so let's not be shy

the door opens, the room winces
the housekeeper comes in without a warning
and i squint at the muscular motel lady
says 'hey good morning'
and she jumps, her keys jingle
and she leaves as quick as she came in
and i roll over and taste the pillow with my grin
well, the sheets are twisted and tangled
and the heat is so great
and i swear i can feel the mattress
sinking underneath your weight
oh sleep is like a fever
and I'm glad when it ends
and the road flows like a river
and pulls me around every bend

and you'll stop me, won't you...

the heat is so great
it plays tricks with the eye
it turns road to water
and water to sky
and there's a crack in the concrete floor
and it starts at the sink
there's a bathroom in a gas station
and i've locked myself
in it to think

and you'll stop me, won't you...

In or Out


guess there's something wrong with me
guess I don't fit in
no one wants to touch it
no one knows where to begin
I've got more than one membership
to more than one club
and I owe my life
to the people that I love

he looks me up and down
like he knows what time it is
like he's got my number
like he thinks it's his
he says,
call me, Miss DiFranco,
if there's anything I can do
I say,
It's Mr. DiFranco to you

somedays the line I walk
turns out to be straight
other days the line tends to
deviate
I've got no criteria for sex or race
I just want to hear your voice
I just want to see your face

She looks me up and down
like she thinks that I'll mature
like she's got my number
like it belongs to her
she says,
call me, Ms. DiFranco
if there's anything I can do
I say, I've got spots
I've got
stripes, too

their eyes are all asking
are you in, or are you out
and I think, oh man,
what is this about?
tonight you can't put me
up on any shelf
'cause I came here alone
I'm gonna leave by myself

I just want to show you
the way that I feel
and when I get tired
you can take the wheel
to me what's more important
is the person that I bring
not just getting to the same restaraunt
and eating the same thing

guess there's something wrong with me
guess I don't fit in
no one wants to touch it
no one knows where to begin
I've more than one membership
to more than one club
and I owe my life to the people that I love